Since March 2020, I have concentrated my artistic interest in the concept of the oculus, a portal of light connecting interior space to the outer environment. The shape emerged for me as I undertook Dawn Studio, an ongoing daily painting practice I commence at sunrise everyday. The paintings are made on mid-sized watercolor paper and aquaboard panels using watercolor, iridescent pigment, metallic ink and gouache, that inform larger paintings on canvas with acrylic ink, watercolor pencil, interference and acrylic paint.
In these early morning hours, I begin by looking out the windows at the changing light and color over the horizon and Hudson river: a meeting of sky and water that dramatically shifts through the seasons and weather. These views create multiple afterimages – residues of the morning light that remain in my eyes. Using fluid brushwork, I create curvilinear shapes with a glowing lacuna at the center. This gap, which I identify as an oculus, is an interior space that oscillates, attempting to merge with its surroundings. Its center is unstable, like the eye of a hurricane that changes shape or direction suddenly. These forms hover between abstraction and representation, yet refer distinctly to place.
Lisa Blas | Skibbereen, Ireland
July 12, 2022